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一直(🕕)作為米路斯．(⛲)科曼(🐽)劇(jù )本鐵三角（另一位是帕培錫(🕸)，也是(shì )本片編劇(jù )之(🔧)一(🎗)）(🎹)成(🆖)員(yuán )(🥈)的艾雲．巴(bā )(🔬)薩，當然也走低度戲劇路線(🎲)。同是音(🏇)樂家的彼德(dé )(🖲)與卡洛老友重逢，生活狀況大不(🙍)同(💆)，你有(🥄)伴侶我(🏐)有(yǒu )家庭，然而都有說不出的不(bú )明朗，唯有以酒(🕕)與(🤯)音樂代(dài )替口水(shuǐ )。全(🌙)片推展不問目(mù )的，只在剎那間的意圖，行行企(㊗)企比起科(kē )曼更義無(wú )反顧，卻有生活淡(dàn )(㊙)如(rú )流(🙀)水的詩(⛓)意(🎾)和繆思，叫觀眾(zhòng )聯想到(dào )二十年(nián )後(hòu )的伊力．盧馬(mǎ )。巴薩鍾愛音樂的程度不下於(yú )文(wén )字(❕)和電(diàn )影，古典(🍑)音樂與民間音樂於全片(🏻)迴轉迴盪(🐨)，難(🥋)怪成(🃏)了奇斯洛夫斯基十大(😝)心愛電影之一。 (🤔) 康(kāng )城影(yǐng )展青年(nián )評(píng )審團(tuán )獎(👵)，美(měi )國(🥅)全國影評人協會特(tè )(🔎)別獎(jiǎng ) 這(zhè )(🖍)部1966年的珍(🏓)品，是捷克(kè )新(🕕)浪(😳)潮短暫生(🚻)命(mìng )中最佳作(zuò )品之一。成(🤼)名(míng )音(yīn )樂家到小鎮探(tàn )(🚤)訪舊同學，舊同學(xué )是個窮(👅)音(yīn )樂(🐈)教師，有時在喪(🚪)禮(lǐ )上吹奏樂曲。平(píng )凡的(de )素材在巴素手裡，變(biàn )出風趣(♊)復罕見的旋律，一部憂鬱的喜劇(jù )，或灰色喜劇。 (🔝) - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel –(🕝) reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (👪) - Elliott Stein, Village Voice (🌓) (👚) Source HKIFF Czech New Wave 2006
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