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一直(🕕)作為米路斯．(⛲)科曼劇(jù )本(📼)鐵三(🏽)角（另一(yī )位是帕(😘)培錫，也是本(běn )片(🤴)編(biān )劇之一）成員的艾雲．巴薩，當(🐮)然(rán )也走(😧)低度戲劇路線。同(tóng )是(shì )音(🏇)樂家的彼德與卡洛老友重(chóng )逢(🤷)，生(🛍)活(huó )狀況(kuàng )大不(bú )(🙍)同，你有伴侶我(🏐)有家(🐖)庭，然(rán )(📞)而都有說不(bú )出的不明朗，唯有以(yǐ )酒與音樂代替口(kǒu )水。全片推展不問目的，只在剎那間的(de )意圖(🦗)，行行(🌊)企(qǐ )企(🥎)比(bǐ )起科曼(màn )更義無反(🐑)顧，卻有(yǒu )生(shēng )活淡如流水(🙉)的詩意和繆(🈴)思，叫觀(🤷)眾聯想到二十年後的伊力．盧馬。巴(bā )(🕐)薩鍾(zhōng )愛(ài )音樂的程度(🌮)不(👣)下於文字和電(diàn )影(yǐng )，古典音樂(lè )與(💍)民間音樂(😊)於(yú )全(➡)片迴轉(zhuǎn )迴盪，難怪(🤷)成了奇斯(sī )(🌼)洛夫斯(📟)基(🐩)十大心(🔈)愛電影(yǐng )(💿)之(🎥)一。 (😙)康城(⏲)影(yǐng )(📛)展青年評審團獎，美國全國(🍽)影評(🔞)人協(xié )會(📐)特別獎 這部1966年的珍品(🚽)，是捷克(kè )(👛)新浪(làng )(😳)潮短暫(zàn )生(🚻)命中最(zuì )佳作品之一。成名音樂家到小鎮探訪舊同學(🏸)，舊(jiù )同(tóng )學是個(gè )窮(qióng )音(yīn )樂(🐈)教師(🍯)，有時在喪禮(🐌)上(🐱)吹(chuī )(🖱)奏樂曲。平凡的素材在巴素手裡，變出(chū )風趣復罕見的(de )旋律，一部(🎁)憂鬱的(de )喜(🍝)劇，或灰色喜劇。 - Dave Kehr, Chicago Reader (🔰) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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